Paul Verhoeven is probably best known for films such as Robocop, Total Recall, Basic Instinct and Showgirls. Known for his unique blending of social satire with graphic violence and sexual content, there was a time when his name on a film project created a huge buzz. But he’s also carved quite a solid early career with films such as Turkish Delight and Soldier of Orange standing out in output during the 70s, as well as Black Book and Elle over the past decade and a half.
But it is those key Hollywood ‘shock’ films that everyone really knows him for, and with good reason. So, this week on #MTOS we cast our eyes over the work and influence of Verhoeven through the years.
Would you like to know more? Join us at 8pm UK time this coming Sunday and share your love of Verhoeven. See you at the party, Richter!
Q1: What was the first film from Verhoeven that you recall watching? Did it immediately entice you, or did you dismiss it? #MTOS
Q2: What three films of his would you pick out to show to someone as the definitive representations of his style of filmmaking. Why? #MTOS
Q3: His style is known for pushing boundaries, be it ultra-violence, or sexual titillation. Is his approach excessive, or is it justified by the stories of the films he makes? #MTOS
Q4 Verhoeven said, “I had decided after ‘Hollow Man’ to stay away from science fiction. I felt I had done so much science fiction.” Has any of his work after Hollow Man justified his leaving the genre, or should he have stuck to what was working? #MTOS
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Q5: He has worked with a few actors a couple of times or more over his career. Which recurring actor from his films do you think was perfectly matched to the director’s style? #MTOSQ6: Have any other directors managed to emulate his style and approach to film? Did the sequels to any of his films tap into the tone accurately? #MTOS
Q7: With both Total Recall and Starship Troopers, he took the basic ideas from the novels, but delivered a significantly different overall story. Would you have preferred more direct adaptations, or did the changes work for the better? #MTOS
Q8: Showgirls – a work of self-aware parody genius, or is it just a terrible film? #MTOS
Q9: Robocop and Total Recall were both remade, and both were not well received. Were they as bad as the fan-backlash leads you to believe, or were they unappreciated? #MTOS
Q10: If Verhoeven was to return to the world setting of any one of his past films, which do you think has the best potential for further stories either as a direct sequel, or spin-off within the same world? #MTOS
