Over the past few decades, Kathryn Bigelow has made a mark on cinema, even though her total output as director can be counted on two hands. But as a true example of quality over quantity, Bigelow’s forays into horror (Near Dark) and action (Blue Steel and Point Break) are highly regarded as some of the finest examples of the genres. With forays into other genres also, and more recently for politically infused historical drama, her career has had its ups and downs – but let’s not forget, this is the woman who stopped James Cameron for getting big awards for his smurfs in space film.
This week, we take a look over the career of Bigelow, and talk about what makes her films stand out for us. Join me on Sunday 5th May at 8pm over on Twitter. Bring your surf-board and parachute.
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Q1: What was the first film you recall watching that Kathryn Bigelow directed? Were you an instant fan, or did you find her style not to your taste? #MTOSQ2: Which of Bigelow’s films would you say is your favourite, and why? #MTOS
Q3: Which of her films do you feel are underappreciated, and overlooked by many? What would you say to someone to convince them to check it out? #MTOS
Q4: The Hurt Locker won the Best Picture award and Best Director at the 82nd Academy Awards. Were they well deserved, or did they steal the awards away from more deserving nominations? #MTOS
Q5: What is it that Bigelow brings to the genres she has dealt with that makes them stand out? Why are films like Near Dark and Point Break, for example, so beholden by audiences? #MTOS
Q6: Usually there are certain actors that you associate with a director, but Bigelow seems content to draw from a large pool of stars for her films. However, are there any stars who immediately spring to mind when talking about Bigelow? #MTOS
Q7: In her earlier films, various social issues were inherent in the plot. Were any of these heavy-handed, or do you feel Bigelow manages to tap into issues without feeling preachy? #MTOS
Q8: Her most recent films have been more modern-history pieces with a political slant to them. Do you prefer these approaches to her earlier, more action-fuelled fictional works? #MTOS
Q9: Are there any of her films that you would be interested in seeing a sequel to if Bigelow came up with the idea for one? Why, and what do you think there is left to explore? #MTOS
Q10: Which actors would you love to see Bigelow work with, and in what genre of film? Why? #MTOS
